Attention Whedonites: the new spin on Dollhouse is that it starts getting good with episode six.
AVC: It isn’t like Joss is some new kid on the block, though. He has a lot of shows under his belt, and he’s got this large cult following. Is it frustrating when you get that kind of feedback?
ED: Honestly, yes. I understand it from a business perspective, and from Fox’s view, but at the same time, we’ve now done 13 episodes, and people have said that the show took off once they finally realized that Joss is best off left alone to do his thing. That happens around episode six—six through 13 are just extraordinary. I love one, two, three, four, and five, but Joss’ first script that he did after the pilot is number six, which is called “Man On The Street,” and it is just unbelievable. From that point on, the world unfolds in Joss’ way, with Joss’ speed, and it’s really remarkable.
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