Dollhouse canceled.

Thursday afternoon!

* It looks as if Fox will burn off what's left of Dollhouse in December. Bright side: Joss should then be free to start a beloved, long-running cable series next fall.

* A short story set in Iain M. Banks's Culture universe will be adapted for film. This could be good, though io9 is nervous.

* Viktor Mayer-Schonberger argues in a new book that the true problem of memory in the digital age is not preservation but remembering how to forget.

* And Grist says environmentalists may finally have the "big mo."

A memo from Adelle DeWitt concerning client acquisition and retention.

Dollhouse fandom can't figure out if it's getting good news or bad news. With DVR numbers, it turns out Dollhouse's ratings are 50% higher. But this only puts the show's total viewership about even with the live viewership during mid-season last year. Fox is promising to air all 13 episodes, which is also a good sign—but a strong "And that's it" seems to be fairly loudly implied. And Stargate Universe beat it again.

At least last Friday's episode was decent—best of the season so far, though not near the heights of episodes 1.6-1.11 or "Epitaph One."

Elsewhere in televised SF news, ABC is so happy with Flashforward's ratings they've ordered 9 more episodes. Who mourns for Bill Simmon?

Fox is reportedly developing an "epic Western with a sci-fi twist." Sounds like great television; why hasn't this been done before?

Someone at Fox really doesn't get Dollhouse.

Sci-Fi links for a Thursday without joy.

* AskMetaFilter on slammin' science fiction-themed hip-hop.

* Where I Write: Science Fiction and Fantasy Authors in Their Creative Spaces.

* Just Another Post-Apocalypse Story.

* Fox is promising not to ruin Dollhouse this time around.

* Terry Gilliam is hoping to adapt a Philip K. Dick novel, The World Jones Made. Will it be the first PKD movie since Blade Runner to be actually good? (Sorry Arnold.)

* And Warren Ellis says the future is small.

The DVD has only been out a week, so no real spoilers, but I have a few thoughts about the two unaired episodes of Dollhouse.

* "Epitaph One" is as ambitious and as amazing as promised—definitely my favorite episode of Dollhouse and one of the top Whedonverse episodes of all time. It is, in every sense, just great, laying out a blueprint for the future of the series that is so compelling I'm not sure we need to actually see any of intervening episodes. (As far as I'm concerned they'd just be killing time before we get to "Epitaph Two," which is what I really want to see.) Joss and his co-writers have been pretty open with the fact that the episode came out of the assumption that there wouldn't be any more; people reference "Objects in Space," but the comparison to the season one finale of Sledge Hammer! seems much more apt. Have they written themselves into a corner? It'll be interesting to see if Joss & Co. can make the second season work when the real story now seems to be happening in 2019. Will people really sit still for john-of-the-week episodes with the stakes raised so much higher? Or will season two be more like Lost seasons four and five, with flashbacks and flashforwards that meet somewhere in the middle? Honestly I think I'd be most happy if they stuck with the "Epitaph" frame for good and did 2009-2018 just in flashback. It's not like we're getting a third season; don't leave anything on the road.

* Speaking of 2019: Was that a Dark Angel shout-out? The episode definitely had a post-Pulse vibe, and Joss and Dark Angel have something of a checkered past: widely understood as a Buffy rip-off, Dark Angel was unceremoniously canceled in favor of Firefly, which was later (you may have heard) unceremoniously canceled...

* The unaired pilot is, I think, probably a little worse as a pilot than the actually aired pilot—a rare case of network interference not being all bad—but it's pretty clear that Joss bitterly prefers it. (I haven't listened to the commentary yet, but apparently he has a lot of thoughts along these lines there as well.) Not only did he make oblique references to the original pilot throughout the season and in Epitaph One *and* bring back the astoundingly unimpressive Chrissy Seaver for "Omega," but he ended the (aired) season on the same audiovisual image—a whispered "Caroline"—that the original pilot ended on. The implication seems to be that the whole of the first season gets us to the same place the pilot did in just one hour.

* The most interesting thing about the unaired pilot, I think, is the discovery that Eliza Dushku is actually pretty good at doing a series of drastically different characters when it happens in rapid-fire, three-minute bursts. It's only over the course of a full episode that she really struggles as an actress. The hints toward Future Caroline in "Epitaph One" look like the latest attempt to explain away the one-note-acting; we'll see how this plays out.

Saturday morning linkdump.

* Fiona sent along this image as the last word on my "Is Infinite Jest science fiction?" post.

* Good news, everyone! Fox and the Futurama voice cast have reached a deal.

* This is the way the MMORPG ends: The Matrix Online has incorporated its upcoming coming shutdown into the story itself. Via Kottke.

* American Castles.

* You're (probably) a federal criminal.

* Man is his sushi: Abhay Khosla's Bram Stoker's Dracula.

Saturday morning links!

* RIP, Walter Cronkite.

* Fox is apparently trying to screw the Futurama voice cast, though there are some hints that this may just be an ill-conceived publicity stunt. For what it's worth Variety seems to think it's legit. Why does Fox hate nerds?

* I think it would be great to have a Kindle, but Amazon keeps making it harder and harder for me to buy one. Yesterday they unpublished two books by George Orwell without warning, deleting the books from the Kindles of those who bought it.

* On teaching Infinite Jest.

* And Pat Buchanan, it must be said, is a terrible human being.

Could the tyranny of the Nielsen overnight ratings be over? If a network like Fox, which is not known for its sentiment and softness, renews a show like "Dollhouse," the paradigm has surely shifted.

Whiskey Tango Foxtrot: Dollhouse to return?

UPDATE: Nikki Finke says it's official.

Sorry about No-Post Monday; my summer course starts tomorrow and I'm scrambling to get everything ready. I have a few links before I declare this No Post Tuesday.

* Eliza Dushku is twittering that Dollhouse renewal talks are going on as we speak. A better indication than if they weren't.

* Miscellaneous Star Trek links:

* A fairly well-known story about TOS and MLK.
* Ultimately, then, “Star Trek” was prescient not for its futurism, with the Enterprise crew using communicators that look like flip-phones, but for exploring a universe absorbed with pop-culture history. David Hadju on Star Trek and popular culture.
* Continuity errors as honeypot.
* "Star Trek sucked so bad I can’t even think of a title for my rant."

* The secret history of Jughead's hat.

* Goonies reunion video.

* Larry David is Woody Allen as Larry David in Whatever Works.

* Apocalypse and the academy in The New Yorker.

* And some sad news: Craig Arnold is now believed to have died while traveling in Japan.

Quoth Variety:

In recent years, the nets have mostly turned Friday over to unscripted fare. With the exception of CBS, which wins the night with middle-of-the-road dramas like "Ghost Whisperer," the nets' more recent attempts to launch scripted dramas have come up short.

This spring, that has included Fox's sci-fi duo "Terminator: The Sarah Connor Chronicles," which isn't expected to return, and "Dollhouse," which remains on the bubble.

Pair it with Fringe for half a season; it's obvious and perfect. If it helps, I recant everything I said last night. Best episode ever!

Latest Dollhouse renewal rumor:

NBC has already indicated that it's unlikely to make a serious play for "Ghost." Some executives at Fox are intrigued by the idea of buying "Ghost" -- and possibly pairing it with a second season of Joss Whedon's "Dollhouse" -- but it seems unlikely a deal would be done.

Via Whedonesque.

Sunday misc.

* Calling bullshit on the feel-good story of the week, Britain's Susan Boyle.

* Why can't clowns and cops learn to get along?

* The Sunday Herald has your brief history of manga.

* Joss Whedon on the future of Dollhouse.

So how far of an arc have you planned for the series already?

When I pitched it, I gave them a six-year plan with a lot of leeway for change. But what I really mapped out was the first 13, and even though we start in a different place than I had originally intended, we end up exactly where I'd intended in the 12th episode. Then, in the 13th episode, things just get stranger. There's some twisted sh-- coming.

Can you give us an idea of what to expect from the second half of the season?

The second half of the season, especially starting with episode six, "Man on the Street," just kicks the entire franchise up a huge notch. It's where we start to pay off on everything we've been setting up for five episodes in terms of the relationships and the progression that Echo's going through. And then I just start twisting the knife and I don't stop. Hopefully it's still accessible to people; we're still doing standalones and every episode has its own resolution, so it's not just a rabbit's hole. The first half was definitely, "This is the world and here's how it works." And then the second half just takes that up to an intense level and then we really start to mess with the audience.

Stick around for some creepy and unprofessional comments about his coworker Eliza Dushku.

The final Terminator: Is this a joke? That was the last episode ever? Come on, Fox, the show got decent-enough ratings before you moved it to Fridays, and anyway, you can't end a show like that.

io9 has details on that final episode of Dollhouse we may never actually get to see. Sounds fairly promising, actually...

Just a few links.

* I'm only going to say this once, media bloodsuckers: Leave Bruce alone.

* Pink Tentacle has your vintage alien landscapes from Kazuaki Saito.

* The Dollhouse situation and what Joss Whedon should do next.

I would like to see what kind of wonderfully dense, risk-taking project Whedon would come up with when he is not hampered by the current conservative climate at the networks, which these days want most story lines to wrap up by the end of the hour. Can you imagine what a Whedon show on HBO, Showtime, FX or AMC would look like?

...

My point is this: Whedon needs to make his next show on cable. End of story.

Ironically, this is also what Joss should have done this time, and the time before this one.

* Florida Power & Light and a real estate developer have announced that they will build the first solar-powered city in the U.S., a community of 19,500 homes, offices, retail shops, and light industry whose electricity will come from the world’s largest solar photovoltaic plant. The new city will be called Utopia Prime Future One Alpha City Babcock Ranch.

Fox, which had previously committed itself to airing all of Dollhouse's first season, now says it won't be airing episode thirteen, "Epitaph One." This is apparently because Fox can't count. A note of continued cautious optimism on the renewal front:

A last, and very important, note: According to sources on the network side, them not picking up and airing "Epitaph One" has no bearing whatsoever on whether or not they pick up the series for a second season, a situation which, I'm told, is "100 percent in the decision phase." You can obviously believe them or not as you choose, but I take them at their word. I may be a sucker like that.

More from Sepinwall, io9, and Whedonesque, but watch out for some already-well-circulated Who Is Alpha? spoilers.