Dollhouse canceled.

Dollhouse, Flashforward, and a few SF links.

* Both Dollhouse tonight and Flashforward yesterday were noticeable improvements over a string of weak episodes, but problems persist. On Flashforward, the characters remain essentially interchangeable ciphers, with almost no tension or mystery surrounding their relationships or their individual participation in these events. (This is perhaps the one area where the show really should have cribbed more from Lost.) But the tease that China may have been involved is a nicely paranoid reading of the disastrous consequences of the Flashforward for the Western hemisphere and a clever post-9/11 twist on the novel, which has no such subplot—and the connection of the isolated L.A. office to a larger investigatory framework has been much needed. And the episode was just more fun.

The Sierra episode of Dollhouse was good, but I can't help feeling as though the show is being quietly retooled yet again; the actions of most of these characters just aren't commensurate with either half of last season. In particular, most of last season was devoted to a multi-episode arc in which the Dollhouse staff struggled to stop the dolls from "glitching"—but now the exact same glitches are considered perfectly acceptable to everyone involved. Echo is allowed to openly discuss her newfound continuity of memory without consequence or even particular interest from the staff, while Victor and Sierra are apparently now allowed to openly date. What has happened to account for this radical shift in Dollhouse policy? Dr. Saunders's disappearance and the generally chaotic atmosphere that plagues the Dollhouse week to week should incentivize them to keep a closer eye on the dolls, not give them freer reign.

Likewise, the idea in the episode that the Dollhouse staff had been "misled" about Priya's situation—a fairly clear attempt to retcon one of the characters' most heinous crimes—doesn't really hold up to scrutiny; patients in mental institutions can't consent to secret medical experimentation (or, for that matter, sex slavery) any more than kidnapped women can. There's no excusing what's been done to Priya either way, and that Topher supposedly believed he was somehow "helping" her barely qualifies as a fig leaf. I think I preferred the harder edge of Original Recipe Adelle and Topher 1.0.

Other things rankle, too. The violent final scenes in the Evil Client's House are well-acted, but the sequence of events makes little sense outside the heat of the moment. What did Priya and Topher think was going to happen, and why were they so utterly unprepared for what obviously would? Topher would have given her a ninja update at the very least.

Seeing so much praise for this episode from critics and the Twittotubes just shows again how badly people want this show to be better than it really is. I'm still enjoying Dollhouse, but abandoning the 2019 arc and failing to sign Amy Acker as a regular are starting to look like fatal flaws for the series. Even an heavily hyped episode that (for once) didn't focus on Echo doesn't compare to last season's stellar second half (1.6-1.11 and 1.13). I hope the upcoming focus on Senator Wyndham-Price and the inevitable introduction of Summer Glau help pick things up.

No new episodes until December, in any event.

Meanwhile:

* Harlan Ellison has won $1 from Paramount Pictures in his suit regarding Star Trek's "The City on the Edge of Forever." In fairness, $1 was all he asked for.

* Christopher Hayes reviews Ralph Nader's "practical Utopia," Only the Super-Rich Can Save Us!.

* And Gregory Cowles reviews Jonathan Lethem's Chronic City for the New York Times.

Lethem’s Manhattan is an alternate-­reality Manhattan, an exaggerated version where an escaped tiger is rumored to be roaming the Upper East Side and Times readers can opt for a “war-free” edition dominated by fluffy human-­interest ­stories. Instead of terrorist attacks, an enervating gray fog has descended on the financial district and remained there for years, hovering mysteriously. (Mysterious to the novel’s characters, anyway; investigators may want to subpoena DeLillo’s airborne toxic event.)

Looks good.

Thursday afternoon!

* It looks as if Fox will burn off what's left of Dollhouse in December. Bright side: Joss should then be free to start a beloved, long-running cable series next fall.

* A short story set in Iain M. Banks's Culture universe will be adapted for film. This could be good, though io9 is nervous.

* Viktor Mayer-Schonberger argues in a new book that the true problem of memory in the digital age is not preservation but remembering how to forget.

* And Grist says environmentalists may finally have the "big mo."

Four for Friday.

* Rabbits are terrorizing the public parks of Stockholm, so Swedish officials have decided to kill them and burn them as fuel. That's socialism for you.

* The One Comic Joss Whedon Reads: The Walking Dead, of course. See also: The 5 Hardest Parts of Being a Joss Whedon Fan.

* The Nation looks at Corzine's resurgence in the context of his apparent left turn.

* Some days I kind of like this Obama guy.

Dollhouse fandom can't figure out if it's getting good news or bad news. With DVR numbers, it turns out Dollhouse's ratings are 50% higher. But this only puts the show's total viewership about even with the live viewership during mid-season last year. Fox is promising to air all 13 episodes, which is also a good sign—but a strong "And that's it" seems to be fairly loudly implied. And Stargate Universe beat it again.

At least last Friday's episode was decent—best of the season so far, though not near the heights of episodes 1.6-1.11 or "Epitaph One."

Elsewhere in televised SF news, ABC is so happy with Flashforward's ratings they've ordered 9 more episodes. Who mourns for Bill Simmon?

Monday!

* Steve Benen covers the behind-the-scenes wrangling around the public option. Surprising to see a hack like Bill Frist on board. Is he trying to make up for his past?

* io9's ten essential Superman stories. Missing: Alan Moore's Supreme, Superman in all but name. (Also: Kingdom Come? Dark Knight Returns?)

* Conservatives have finally gotten around to removing the Bible's liberal bias.

* The life story of Richard Leroy Walters, a homeless man who left $4 million dollars to NPR.

* Superhero Status Updates.

* The waking nightmare of sleep paralysis.

* And Angel is ten years old today.

Dollhouse ratings find new floor.

UPDATE: It lost to Stargate? Really? Even I don't watch Stargate.

Someone at Fox really doesn't get Dollhouse.

Saturday!

* Early ratings for the Dollhouse premiere are not exactly promising. (What genius thought Brothers would be a good lead-in?) AICN points out that Friday ratings were down across the board, and it's not down much from last year's finale—but it certainly doesn't reflect hoped-for DVD buzz, either. The episode itself was pretty well put-together, though writing Amy Acker out due to her unavailability kills possibly the single best thing about the show. (No advancement on the 2019 thread, either, though apparently a sequence with Felicia Day was filmed and cut.) Let's hope Happy Town fails quick.

* Also re: Dollhouse: Alyssa Rosenberg interviews Joss.

Whedon: The world will expand. Oh holy boy will the world expand. And then, unless our ratings tick up a bit, it will very suddenly contract.

* All 156 Twilight Zone episodes in 9 minutes and 59 seconds. More TZ links at MetaFilter surrounding the Rod Serling Conference in Binghamton, which I wish I could have gone to.

* Polling the GOP landslide: the gubernatorial races in both NJ and VA have narrowed to the margin of error, while GOP polling continues to seek its bottom.

* Climate researchers now predict the planet will warm by 6.3 degrees Fahrenheit by the end of the century even if the world's leaders fulfill their most ambitious climate pledges, a much faster and broader scale of change than forecast just two years ago, according to a report released Thursday by the United Nations Environment Program.

* The sad death of an uninsured twenty-three-year-old Ohio woman from H1N1 has become bound up with the fight for health care reform.

* Jackson Pollack, egomaniac.

Interesting news from the Whedonverse: ...Whedon is shopping a digital studio proposal around Hollywood, including to the major studios, looking to raise investment in the $5 million range, according to sources. The unnamed Whedon studio will apparently look to produce four original web series a year, two of which will be directed by Whedon himself. One of those two will be the above mentioned Dr. Horrible sequel. Keeping my fingers crossed for Capt. Reynolds's Shoot-Along Facebook Feed.

Attention: TV is dead.

MMLD #2.

* The recession comes home to Randolph: they're closing our beloved Pathmark.

* A musical tribute to "Ozymandias" from Handsome CD Plus Three.

* On everybody's lips: Thomas Pynchon's Inherent Vice. Links to reviews here and here. I look forward to having time to read this c. 2017.

* "Do It Again: One Man's Quest to Reunite the Kinks."

* Comics Should Be Good is running a month-long "iconic panels" series all month long to celebrate Marvel's 70th.

* And Joss Whedon says they should have renewed Terminator instead.

The DVD has only been out a week, so no real spoilers, but I have a few thoughts about the two unaired episodes of Dollhouse.

* "Epitaph One" is as ambitious and as amazing as promised—definitely my favorite episode of Dollhouse and one of the top Whedonverse episodes of all time. It is, in every sense, just great, laying out a blueprint for the future of the series that is so compelling I'm not sure we need to actually see any of intervening episodes. (As far as I'm concerned they'd just be killing time before we get to "Epitaph Two," which is what I really want to see.) Joss and his co-writers have been pretty open with the fact that the episode came out of the assumption that there wouldn't be any more; people reference "Objects in Space," but the comparison to the season one finale of Sledge Hammer! seems much more apt. Have they written themselves into a corner? It'll be interesting to see if Joss & Co. can make the second season work when the real story now seems to be happening in 2019. Will people really sit still for john-of-the-week episodes with the stakes raised so much higher? Or will season two be more like Lost seasons four and five, with flashbacks and flashforwards that meet somewhere in the middle? Honestly I think I'd be most happy if they stuck with the "Epitaph" frame for good and did 2009-2018 just in flashback. It's not like we're getting a third season; don't leave anything on the road.

* Speaking of 2019: Was that a Dark Angel shout-out? The episode definitely had a post-Pulse vibe, and Joss and Dark Angel have something of a checkered past: widely understood as a Buffy rip-off, Dark Angel was unceremoniously canceled in favor of Firefly, which was later (you may have heard) unceremoniously canceled...

* The unaired pilot is, I think, probably a little worse as a pilot than the actually aired pilot—a rare case of network interference not being all bad—but it's pretty clear that Joss bitterly prefers it. (I haven't listened to the commentary yet, but apparently he has a lot of thoughts along these lines there as well.) Not only did he make oblique references to the original pilot throughout the season and in Epitaph One *and* bring back the astoundingly unimpressive Chrissy Seaver for "Omega," but he ended the (aired) season on the same audiovisual image—a whispered "Caroline"—that the original pilot ended on. The implication seems to be that the whole of the first season gets us to the same place the pilot did in just one hour.

* The most interesting thing about the unaired pilot, I think, is the discovery that Eliza Dushku is actually pretty good at doing a series of drastically different characters when it happens in rapid-fire, three-minute bursts. It's only over the course of a full episode that she really struggles as an actress. The hints toward Future Caroline in "Epitaph One" look like the latest attempt to explain away the one-note-acting; we'll see how this plays out.

Wednesday catchup.

* Rest in peace, Rosie the Riveter.

* Dollhouse tease: Joss will write and direct the premiere.

* Transformers FAQ. Spoiler alert:

I am already incredibly sick of this movie, and I'm just typing questions about it. Sam resurrects Optimus, Optimus kills the Fallen, end of story, right?
Pretty close. Sam dies, though.

Really?
Yeah, for a little while. But then the Transformers in heaven send him back because he still has work to do.

Fuck you.
I'm serious.

Fuck you. There's no way.
It's true. The 6-7 Primes are there in the clouds like Mufasa's head in The Lion King, and tell Sam he's awesome and he needs to live again so he can bring Optimus back to life.

* MMORGS and sociology: "City of Heroes character 'Twixt' becomes game's most hated outcast courtesy of Loyola professor." Via MeFi.

* "Judgment Day," famous anti-racist EC comic from 1953, controversial in its day, at Comics Should Be Good:

The Buffy rebooters have "reached out" to Joss Whedon. Whedon has demurred.

Sunday!

* Great Archie comics experiments of 1989-1990.

* This ruling of Sotomayor's, it must be said, was a little douchebaggy.

* "You almost get the sense guys like Thiessen are hoping for an attack so that they can blame Obama when it happens." Almost?

* Republicans who happily sat through three-and-a-half years of Bush vacations are outraged! that Obama took a night off.

* Tough times at Harvard U.

* Non-Whedon directors for the Buffy reboot. Wes Anderson snubbed again, though I bet Tarantino could do a good job with it.

"If anybody thinks [bringing Summer onto Dollhouse] hasn't occurred to me already then they have not met me," he says. "I mentioned it to her before [SCC] was canceled. I was like, 'You know, we should get you in the 'house.' But first we have to come up with something that works." And casting her as a doll would not work, insists Whedon. "Summer would be perfect to play an active, but she's done that [type of role] a lot," he says. "I'd rather see her play someone who talks too much. The most fun I have is when I get somebody who's good and comfortable at doing something, and then I make them do something else. Summer said to me, 'I would like to play a normal girl before I die of extreme old age.'"

Wednesday!

* I have a review in the Indy this week of Lucas Hilderbrand's Inherent Vice: Bootleg Histories of Videotape and Copyright. Keywords: copyright Constitution Buffy pornography Superstar Mystery Science Theater 3000.

* Cases for and against Buffy without Joss.

* Sarah Connor creator: I won't be back.

* Some days I think Marvel just doesn't get women. Via MeFi.

* theauteurs.com: Streaming video of Criterion Collection films. (via Vu)

* And the year of Senatorial madness shows no sign of ending: Joe Sestak intends to unseat Arlen and Burris's scumbaggery is caught on tape.

Buffy relaunch without Joss? I'm trying to think of a more surefire way to ensure failure for the project than deliberately alienating the worshipful Whedon fanbase, but nothing comes to mind.

Monday night bloggity blogs.

* Samuel Delany's "The Star Pit" as a radio show. Really good.

* More on the surprise Dollhouse renewal, including word that "Epitaph One" will likely be aired after all and an interview with Joss. Too bad about Terminator; Bill Simmon links to a Fox executive explaining the one had nothing to do with the other, except insofar as it did.

"[Sarah Connor] has completed its run," Fox entertainment president Kevin Reilly confirmed at a press conference this morning. "I think it had a nice little run. It was a good show. It was not an either or [with Dollhouse]. We did see it tailing off a bit [in the ratings]. It had a nice creative core, but, ultimately, we made the bet on Dollhouse, so that's it for [Sarah Connor]... We make no apologies. We gave it a lot of support and some consistent scheduling. We tried and thought it was time to move on."

* Benen and Yglesias explain how the right's schoolyard strategy on Pelosi and torture may be making a truth commission much more likely.

* Rick Perry has abandoned neosecessionism. Score one for the Northern aggressors.

* I was so outraged by the very idea of this I completely forgot to blog it: someone's written a Catcher in the Rye sequel and their name isn't J.D.

"Just like the first novel, he leaves, but this time he's not at a prep school, he's at a retirement home in upstate New York," said California. "It's pretty much like the first book in that he roams around the city, inside himself and his past. He's still Holden Caulfield, and has a particular view on things. He can be tired, and he's disappointed in the goddamn world. He's older and wiser in a sense, but in another sense he doesn't have all the answers."

Bunch of phonies.

* Maureen Dowd plagiarizes Josh Marshall and everyone has a really good time with it.

* The New Yorker covers the sixth mass extinction event. Print edition only, because analysis of an ongoing mass extinction event isn't something you just give away for free. A few more links at Kottke.

* Kos and Yglesias on epically bad ideas to save newspapers.