My blog has moved!

You should be automatically redirected to the new home page in 60 seconds. If not, please visit
http://gerrycanavan.com
and be sure to update your bookmarks. Sorry about the inconvenience.

Monday, October 22, 2007

Links for this fine Monday:

* Marjane Satrapi interviewed in the New York Times.
I don’t very much like this term of graphic novel. I think they made up this term for the bourgeoisie not to be scared of comics. Like, Oh, this is the kind of comics you can read.
* Using Curb Your Enthusiasm (which is having a terrific creative renaissance in its sixth season, by the way) to treat schizophrenia, in the New Yorker.

* The PETA article up today at Salon is interesting insofar as it demonstrates the hostility to environmental and animal-rights movements that dominates popular discussion of these issues. Even though (aside from the hyperbolic "#1 cause!!" claim) PETA is otherwise correct that a meat diet significantly contributes to global warming and other environmental hazards, the article is still framed from the headline on as "Suck on this, PETA." I'm not even sure why the PETA angle was necessary in the first place; couldn't the same article have been written without name-checking a hated fringe group?

* In other environmental news, another new report argues that we passed peak oil in 2006.

* I haven't commented yet on this whole Raymond Carver kerfluffle, and I don't have much to say now, except that I think there's a good argument to be made that Gordon Lish was the actual writer of those stories, not Carver, and that in any event it's as certain that they should be left alone as it is that a collection of the "original versions" will be out next year.
The case is complicated by the fact that Carver himself, unlike Eliot, seems to have persisted in preferring his own original versions (though this is a murky matter too). He went on to publish a rewrite of The Bath entitled A Small Good Thing. In it, the painfully bleak ending is replaced by an upbeat reconciliation scene, with the baker turning out to be a sweet, vaguely Christ-like guy, and the parents reconvening at his store where he plies them with some heavily symbolic warm bread and pastries - a scene of saccharine religiosity that betrays the hard truth of the tale, replacing it with the sentimental wishfulness of the teller. A lot of people prefer it, but then a lot of people prefer bad art that makes them feel good to good art that makes them feel bad.
* Searching for God in the brain. Bet he's not in there, either.