As promised, some Sunday links.

* Jon Stewart had odious liar Betsy McCaughey on his show Thursday night, and you should watch it; video at Crooks & Liars. Kevin Drum says Stewart shouldn't have had her on at all; I think the video made McCaughey look terrible and in that sense was an important public service.

* Atlas Obscura: A Compendium of the World's Wonders, Curiosities, and Esoterica.

* Mandatory pre-Mad-Men reading: Pandagon's defense of Betty Draper.

* Have we reached Peak Crazy? Fox forces Glenn Beck to take a vacation.

* Responding to Krugman, Glenn Greenwald considers whether Obama has lost the trust of progressives. More on the latest polls showing progressives' loss of faith from Steve Benen, while Matt Yglesias ponders the meaning of GOP approval numbers that "appear to be stuck near some kind of theoretical minimum" and TPM reports Sarah Palin winning the all-important Birther primary.

* Margaret Atwood blogs her book tour.

* Cynical-C has the trailer for Michael Moore's next film, Capitalism: A Love Story.

* Lt. William Calley has apologized for the My Lai massacre, though the MetaFilter thread suggests there may be significantly less here than meets the eye.

"In October 2007, Calley agreed to be interviewed by the UK newspaper the Daily Mail to discuss the massacre, saying, "Meet me in the lobby of the nearest bank at opening time tomorrow, and give me a certified cheque for $25,000, then I'll talk to you for precisely one hour." When the journalist "showed up at the appointed hour, armed not with a cheque but a list of pertinent questions", Calley left."

* Also at MetaFilter: SIGG admits to misleading the public about its water bottles and BPA.

* Inglourious Basterds as alternate history.

* Game of the night: Max Damage.

* And the Smart Set looks at The Martian Chronicles in the context of 1960s optimism and the New Frontier. My Writing 20 for the spring ("Writing the Future") begins there as well (though with Star Trek instead of Bradbury) before veering off into The Dispossessed and, later, Dollhouse.

io9's playing with great opening sentences from science fiction. (More at MeFi.) Contrary to the aesthetics of io9's list, it seems to me that the best are those which refuse to immediately announce themselves as science fiction. Here are just a few from favorite s.f. novels that I haven't seen anywhere else (all links go to Amazon):

"We slept in what had once been the gymnasium."
—Margaret Atwood, The Handmaid's Tale

"Mars was empty before we came."
—Kim Stanley Robinson, Red Mars

"On those cloudy days, Robert Neville was never sure when sunset came, and sometimes they were in the streets before he could get back."
—Richard Matheson, I Am Legend

"What's it going to be then, eh?"
—Anthony Burgess, A Clockwork Orange

Though what can match the quiet elegance of Ursula K. Le Guin's The Dispossessed? "There was a wall."

Unless of course it's Octavia Butler in Dawn: "Alive!"

QUICK UPDATE: I realized too late that I'd omitted a book that should be on any list of this sort, Olaf Staledon's Star Maker:

One night when I had tasted bitterness I went out on to the hill.