'The End of Utopia'

All the material and intellectual forces which could be put to work for the realization of a free society are at hand. That they are not used for that purpose is to be attributed to the total mobilization of existing society against its own potential for liberation.

Every so often, when I can, I like to share snippets of what I'm reading for my exams. Yesterday it was Herbert Marcuse's "The End of Utopia," in which he argues that a functionally limitless technological horizon which finally eliminates the realm of necessity demands in turn an aesthetic-erotic revolution in values. This one's short and good. Check it out.

Even on the left the notion of socialism has been taken too much within the framework of the development of productive forces, of increasing the productivity of labor, something which was not only justified but necessary at the level of productivity at which the idea of scientific socialism was developed but which today is at least subject to discussion. Today we must try to discuss and define--without any inhibitions, even when it may seem ridiculous--the qualitative difference between socialist society as a free society and the existing society. And it is precisely here that, if we are looking for a concept that can perhaps indicate the qualitative difference in socialist society, the aesthetic-erotic dimension comes to mind almost spontaneously, at least to me. Here the notion "aesthetic" is taken in its original sense, namely as the form of sensitivity of the senses and as the form of the concrete world of human life. Taken in this way, the notion projects the convergence of technology and art and the convergence of work and play. It is no accident that the work of Fourier is becoming topical again among the avant-garde left-wing intelligentsia. As Marx and Engels themselves acknowledged, Fourier was the only one to have made clear this qualitative difference between free and unfree society. And he did not shrink back in fear, as Marx still did, from speaking of a possible society in which work becomes play, a society in which even socially necessary labor can be organized in harmony with the liberated, genuine needs of men.