Verso has your video from the Marxism 2009 last week in Bloomsbury. Below: David Harvey.

Does the word postcapitalism look odd to you? It should, because you hardly ever see it. We have a blank spot in our vision of the future. Perhaps we think that history has somehow gone away. In fact, history is with us now more than ever, because we are at a crux in the human story. Choosing not to study a successor system to capitalism is an example of another kind of denial, an ostrich failure on the part of the field of economics and of business schools, I think, but it’s really all of us together, a social aporia or fear. We have persistently ignored and devalued the future—as if our actions are not creating that future for our children, as if things never change. But everything evolves. With a catastrophe bearing down on us, we need to evolve at nearly revolutionary speed. So some study of what could improve and replace our society’s current structure and systems is in order. If we don’t take such steps, the consequences will be intolerable. On the other hand, successfully dealing with this situation could lead to a sustainable civilization that would be truly exciting in its human potential.

What comes after capitalism? Kim Stanley Robinson has a report on the future, while David Harvey investigates what comes right before what comes after capitalism.

Time for a quick linkdump.

* Even Lex Luthor needs a bailout.

* Two for fans of last night's comics archetype times table: A Sketch Towards a Taxonomy of Meta-Desserts and Fun to Draw.

* Is this the end of capitalism? David Harvey and The Nation's Alexander Cockburn report. (This time for sure.)

Saturday night's all right for blogging. After the first few links we even get to some stuff that's not about Watchmen.

* Walter Chaw's Watchmen review goes to many of the same places as my own, albeit in a more thoroughgoing way:

Freeze any frame of the film and find in it the panel that inspired it. With each section separated by grabs from the covers of the comic book's initial run, fanboys should have no quarrel with the fidelity of the piece--but the reaction to the picture will likely continue to be fairly muted, as devotees of the graphic novel didn't exactly appreciate it for its slickness and sexiness. I'd hazard that what attracted people to the book is that Moore's vision is one of absolute respect for the power of the image in molding human history. Snyder does seem to understand this in restaging the Kennedy assassination with one of his masked heroes as the culprit, drawing a line pure and true from Zapruder's inauguration of film as history to the comic-book medium's inextricable hold on the collective imagination-in-formation. The power of Moore's work is that it takes the divine and, like Milton's mission, explains the ways of these gods to men in terms that men can understand: they're corrupted by their power and governed by their avarice and the essential baseness of being human. This sentiment is all but jettisoned, alas, by the time Snyder recasts the pathetic victories of sexually-reawakened schlub Night Owl (Patrick Wilson) and paramour Silk Spectre (a severely overmatched Malin Akerman) as triumphant victories. Watchmen--filthy with its director's now-trademark ramping technique--sees itself as a superhero adaptation of a human book. The failures of these characters are just weaknesses our übermenchen must overcome, not the foibles and hubris that lead to their downfall--and ours.

Vu and kate both get at this deep in the comments to my original post as well.

* Meanwhile, Spencer Ackerman says Watchmen is a "great film" and then spends the rest of the post explaining why it isn't.

* The headline reads, "Watchmen's first day disappoints." You're telling me!

* John Scalzi argues for a statute of limitations on spoilers.

Television: One week (because it’s generally episodic, and that’s how long you have until the next episode)

Movies: One year (time enough for everyone to see it in the theaters, on DVD and on cable)

Books: Five years (because books don’t reach nearly as many people at one time)

To my mind the whole "spoiler" hysteria needs to end; suspense is an overrated aesthetic in all but the rarest cultural productions.

* Husband, Wife Unaware They Are A Comedy Team.

* I suffered from this for years without knowing there was a name for it besides "being a college student."

* Another picture of a grown-up Calvin and Hobbes for your collection.

* The economy and literature: Will this crisis produce a Gatsby? More at MeFi.

* Does the financial crisis signal the end of neo-liberalism? David Harvey on the credit crunch and class.

* Abandoned places: a LiveJournal community. (Thanks, Eli!)

* And attention would-be humanities grad students: there are no jobs. None.

Three from MeFi:

* "There's Something About Mary," the amazing story of Mary McFate, a nationally known anti-gun activist who turned out to really be Mary Lou Sapone, mole for the NRA.

* Don Hodges looks at the kill screens from Donkey Kong, Pac-Man, Ms. Pac Man, Dig Dug, as well as the Defender Extra Life Bug. Bonus: The Duck Hunt kill screen.



* Another set of videos that's been hanging out neglected in my bookmarks for way too long: David Harvey's twenty-six-hour lecture series on Capital, Vol. 1.